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F. D, E. SCHLEIBFLMACHER
the borderlands of some greater reality' which the Romantics held to be
both urhown and urhowable to pure reason, pervades the movement,
and proved to be enormously attractive to an age which had become
increasingly bored with the banalities of rationalism.
The ethos of the movement, like that of Enlighterment rationalism,
proved
capable of crossing national frontiers, with the result that German
Romantic I Sm
soon made its presence felt in England. The basic ethos of
the movement is expressed particularly well in the writings of the
English poet William Wordsworth (1770-l850), who spotce of the
human imagination in terms of transcending the limitations of human
reason, and reaching beyond its bounds to sample the infinite through
the finite. Imagination

ls but another name for absolute power
And clearest insight, amplitude of mind,
jhd Reason in her most exalted mood.

Romanticism thus found itself equally unhappy with traditional Christian
doctrines and the rationalist moral platitudes of the Enlightenment. They
both failed to do justice to the complexity of the world in an attempt to
reduce the (mystery of the universe' Jo use a phrase found in the
writings of August Wilhelm Schlege1 - to neat formulae.
A marked limitation of the competence of reason may be discemed
in such sentiments. Reason threatens to limit the human mind to what
may be deduced; the imqgination is able to liberate the hman spirit
from this self-imposed bondage, and allow it to discover new depths of I
reality " vague and tantalizing (something', which can be discemed in
the world of everyday realities. The infinite is somehow present in the
finite, and may be known through feeling and the imaginatioI1. As John
Keats (l795-1821) put it, (I am certain of nothing except the holiness
of the heart's affections, and the truth of the imagination.'
The reaction against the aridity of reason was thus complemented by
emphasis upon the epistemological significance of human feelings and
emotions. Under the influence of Novalis (Friedrich Yon Hardenberg,
l772J801), German Romanticism came to develop two axioms
conceming das Gejtu (a German term perhaps best translated as
・feeling, or tsentiment,, though neither conveys the full rzmge of
meanings associated with the original).
First, das Gefu'hl concems the individual. thinker, who becomes
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